Selected website key visuals for global luxury brandsCase 10

LUXURY, DIRECTED.

Nineteen brands. Nineteen different visual problems. One job: decide what deserves attention—and what should disappear.

Company
Lux Afrique, London
Market
Global
Work period
January 2023 — January 2024
Portfolio release
August 2025
My role
Senior Designer — Concept, Visual Art Direction, Model Selection, Image Selection & Final Design
Project noteLuxury e-commerce · Website key visuals

Core idea

LUXURY, BY DECISION.

Read the brand. Choose the protagonist. Direct the frame. Remove what does not earn its place.

Brief

At Lux Afrique, every brand arrived with a different collection, product and visual language. My task was to create an individual website key visual for each launch—clean enough to feel premium, distinctive enough to stop the eye, and specific enough to belong to that brand.

Target

Launch new collections through website banners that expressed the character of each luxury name without allowing the design to overpower the product.

Audience

Affluent, brand-aware customers with an interest in established international luxury brands.

Challenge

Luxury does not have one visual formula. The recurring question was not how to decorate the banner, but what the brand needed from the frame. Did the story need a model? If it did, which face and pose could carry the right attitude? If it did not, could the product command the image by itself? Every visual needed to feel spacious and controlled without becoming quiet enough to disappear.

Insight

Luxury is not one look. It is the confidence to choose—and the discipline to remove.

Art direction

Each execution begins with a brand-specific decision rather than a house style imposed across the set.

THE METHODFive decisions between the brief and the banner.
  1. 01

    READ THE BRAND

    Understand the collection, product hierarchy and visual codes before making stylistic decisions.

  2. 02

    CHOOSE THE PROTAGONIST

    Decide whether the story needs a model, a product, or an object strong enough to hold the frame alone.

  3. 03

    SHAPE THE SHOOT

    Select the models and provide the photographer with visual and pose references that establish the intended attitude.

  4. 04

    SELECT THE IMAGE

    Choose the frame whose silhouette, gesture and product relationship best express the brand.

  5. 05

    DESIGN BY EDITING

    Build the final banner through scale, crop, colour, typography and deliberate negative space.

The work19 source pieces

01Who should carry the brand?

CASTING SETS THE TONE

Casting was treated as brand language—not as representation added at the end.

Fendi luxury website key visual with a model in a graphic black-and-white look and an off-balance pose
FendiA bold casting choice and off-balance pose create the attitude; everything else steps back.
Alexander McQueen website key visual with a model in a severe centred silhouette
Alexander McQueenA severe silhouette and centred posture make the casting feel architectural.
Balenciaga website key visual using high contrast around an oversized white fashion silhouette
BalenciagaHigh contrast turns the oversized white silhouette into the focal point.
Hermès website key visual with a seated model in a warm neutral composition
HermèsWarm neutrals and a calm seated pose communicate confidence without spectacle.

02How much gesture is enough?

THE POSE BUILDS THE LAYOUT

The body line helped create the composition before typography entered the frame.

Dolce and Gabbana website key visual isolating a fashion silhouette in a dramatic spotlight
Dolce & GabbanaThe spotlight isolates the silhouette while the copy remains deliberately secondary.
Amsale website key visual showing one bridal garment at full and detail scales
AmsaleOne garment appears at two scales, balancing product detail with the complete silhouette.
Erdem website key visual with a model in a low pose against a deep green field
ErdemA low pose and deep green field create quiet tension around the look.
Harriette Gordon website key visual combining a crisp garment silhouette with atmospheric texture
Harriette GordonAtmosphere enters through texture while the garment remains crisp and controlled.
AM Faulkner luxury jewellery website key visual built around a restrained portrait
AM FaulknerA restrained portrait keeps the jewellery and occasion intimate.
Jennifer Behr website key visual using a close portrait crop to foreground the accessory
Jennifer BehrThe close crop brings the accessory detail forward without losing softness.

03Does the visual need another layer?

GRAPHICS, ONLY WHEN THEY EARN THEIR PLACE

Graphic devices were introduced only when colour, texture or framing added a specific brand cue.

La Martina luxury website key visual with a model in a pale collection look against a softly textured backdrop
La MartinaSoft texture and a light palette carry the collection mood without crowding the garment.
Charlotte Tilbury beauty launch website key visual arranged as a framed ensemble
Charlotte TilburyA framed ensemble gives the beauty launch collective energy without losing hierarchy.

04When does a person become noise?

KNOW WHEN TO REMOVE THE MODEL

When material, craft or product silhouette already tells the stronger story, the product takes over the frame.

Clive Christian perfume website key visual staging a bottle with stone, height and controlled light
Clive ChristianNo model: height, stone and controlled light give the bottle ceremonial presence.
Agresti website key visual presenting a crafted object through architecture and symmetry
AgrestiArchitecture and symmetry turn a functional object into a piece of heritage.
Boadicea the Victorious fragrance website key visual with gold, fabric and botanical forms
Boadicea the VictoriousFabric, gold and botanical forms make the fragrance feel tactile.
Cédille Paris jewellery website key visual isolating a small piece under a single beam of light
Cédille ParisA single beam of light allows a small piece of jewellery to command the frame.
Harrods Manuka honey website key visual using a restrained honeycomb product cue
HarrodsThe honeycomb cue explains the product while restraint protects its premium character.
Cuervo y Sobrinos watch website key visual using precise geometric product staging
Cuervo y SobrinosGeometric staging supports the watch without competing with its face.
Adubi Mydaz artwork presented in a luxury interior to establish context, scale and status
Adubi MydazThe artwork needs context rather than a model; the interior establishes scale and status.
Role & creditsRole, scope and collaborators

Working as a Senior Designer at Lux Afrique, I developed concepts, selected models, supplied pose and photographic references to the photographer, selected the final images, and created the visual art direction and final website-banner designs. The objective was never to impose one recognisable style across every brand. It was to make the right visual decision for each one.

My role

Senior Designer — Concept, Visual Art Direction, Model Selection, Image Selection & Final Design

  • Concept and visual art direction
  • Model selection
  • Pose and photographic references for the photographer
  • Image selection
  • Final website-banner design
Deliverables
  • 19 live website banners
Selected credits
Senior Designer
Ahmed Sallam
Art Director
Elizabeth Kruger
Company
Lux Afrique, London
Outcome

All 19 visuals were approved and used as live website banners. Across very different luxury names, the work demonstrates one consistent method: understand the brand, make the strongest visual decision, and edit until only what matters remains.

The Clive Christian visual was later shared by Nina Dimitrova, Brand Representative for Clive Christian.

View the published Clive Christian visual ↗

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